Two Poems in Porter Gulch Review 2010

I love Cabrillo Colleg's Porter Gulch Review, a quintessential Santa Cruz poetry magazine. This is the 25th Anniversary issue, which includes two poems of mine on pages 110 and 111:…

I love Cabrillo Colleg's Porter Gulch Review, a quintessential Santa Cruz poetry magazine. This is the 25th Anniversary issue, which includes two poems of mine on pages 110 and 111: Signs, and, Turning Fifty.

The link below will take you to the on-line edition:

http://www.cabrillo.edu/publications/portergulch/PGR%202010.pdf

 

Turning Fifty

There were omens as I traveled—

a one-armed man riding a green bike

down Main Street in my hometown.

Then again in Weed, a gray-haired man

carrying a monstrous yellow boa constrictor

wound round his neck and shoulders. It would be

this kind of year—stunning, sad—the body

compromised, but carrying danger lightly, extravagantly

as though aging were the most natural wonder

to parade in broad daylight, the strange manner

in which we become more and less of ourselves simultaneously,

no one batting an eye, merely nodding,

saying well look at that, hair, muscle, skin,

shifting, disappearing.

I know there is a young boy who never ages inside,

perplexed at how long a man’s shirt-sleeves are,

shoes too huge to walk in, pants so large

I could hide in them like a tent. The same way

my mother, now seventy-five, says the mirror lies,

because she is no different than the school girl

dangling her legs from the bench in a world

where everyone is older than you, and your body

will live forever. But we are young, still,

in the spiritual sense of still being born,

caterpillars incubating in sacks that hum

with the transubstantiation of consciousness

of leg into wing, of doubt into color so varied

that even a one-armed man would whistle

pedaling down what remains of his only life,

and the gorgeous snake, wrinkling its fading skin

into useless husk, muscles its new translucent body

into another life, and another, and another.

 

**

 

Signs

Heading down 69 South past the Choctaw Nation,

on the way to Wilberton, Oklahoma

for Aunt Opal’s funeral, I drive

through one small town after another

observing the signs of the times,

past Paradise Donuts and Charlotte’s Web Bar

in Harlyville, each a small oasis

in the boarded up broken down block.

Fuel at Lake Mystik Gas, watch ecstatic boys

cavort in four-wheel drive dirt bikes

along naked dusty roads branching

into flat horizons eerily similar

from beginning to end. Driving on,

past the East Branch Gun & Pawn,

I see old trailers where part of America

lives, a flock of black crows, a cardboard sign

announcing new peach smoothies in a dark house

leaning right, then past an urgent black and white

message announcing The Wages of Sin is Death,

then Halliburton in black block letters,

and finally, a rickety wooden sign exhorting

Wake up America, God’s Judgment is Coming.

Slapping my face to ward away sleep,

I keep an eye out for seraphim wing,

stare into the double-beamed headlight coloring

the coming dusk like whiskey.